Elicit Vocalisation is a series of short videos using multi-layered distortion to explore the dialect between the still and the moving image. This to revaluate our traditional associations of urban and natural forms within society; to explore beyond what can be considered art in different forms of media. Part of the Chorlton Arts Festival 2021, Visual Arts line up. @chorlton.arts

'The Queer Icon is a multifaceted arts project centring around the LGBTQ+ community with a specific focus on Greater Manchester based individuals. The project aims to explore how Queer identity is reflected and portrayed across different media platforms, with a blend of historical & contemporary contexts along with insights of personal experience from our broad range of interviewees. The project, in its current form, will be examined through a feature length documentary (similar to Disclosure / Paris is Burning). This a project trailer sent to only funders, not all material is my own and is copyrighted.

Elicit Vocalisation is a series of short videos using multi-layered distortion to explore the mundane within images and sounds. This encouraging the viewer to revaluate their traditional associations of natural forms within society; to explore beyond what can be considered art in different forms of media. This is a continues project, this by constantly adding new material of sound and imagery clips I have collected thus far.

Elicit Vocalisation is a series of short videos using multi-layered distortion to explore the mundane within images and sounds. This encouraging the viewer to revaluate their traditional associations of natural forms within society; to explore beyond what can be considered art in different forms of media. ​ This is a continues project, this by constantly adding new material of sound and imagery clips I have collected thus far. Part of the Solstice Performances of the Chorlton Virtual Arts Festival 2020

The Rendering Gaze is a video installation exploring time, distortion and narrative structure, through the boundaries between the familiar and the unknown; to investigate what we as viewers gravitate towards and how abstract manipulation challenges this. The mundane aspects are obscured by multi-layered distortion of recorded sound, images and implemented movement; this pushing us outside the frame, to reconsider what forms we are witnessing and to acknowledge the growth of new interpretations. This shaping a new perception by fabricating the truth of what we know and to create a hindrance for the remaining outsider. Parts of the Cockatoo Exhibition for Sheffield Hallam University Photography Degree exhibition - @cockatoo_degree